An Interview with Bonnie Burke-Patel

We sat down with Bonnie Burke-Patel to ask the McDermid Debut Shortlistee a few of our burning questions. Read on to find out Bonnie’s favourite authors, best books … and if she were to go rogue, which crime fiction villain she’d most like to be!

Tell us your story – when and how did you start writing fiction?

Mine is that boring old chestnut: a child who liked reading and writing and never stopped. I grew up in semi-rural South Gloucestershire with my three siblings and our dogs, and there was very little to do apart from live and play in imaginary worlds. Why would you ever stop?

What’s the one line or paragraph you’re most proud of in your shortlisted book?

I still love the opening lines, bringing the reader to the village as the season turns.

Upper Magna in autumn is a world purified by fire. The leaves are a blaze of forest and crimson, and sweep across the landscape; reaching up into the sky from skeleton fingers, carpeting the paths underfoot. Against the burning, dropping leaves, the air is fresh and cold. Behind such clarity, there is the faintness of woodsmoke and sweet rot. Everything is clean, stark, beautiful not in its beginning but its end.

Let’s say you’re going rogue: which crime fiction villain would you most enjoy being (just for research, of course)?

Oh, definitely Justice Wargrave from Agatha Christie’s And Then There Were None. He works so deviously, but also creatively, methodically, and with psychological precision. Potentially that shouldn’t be so appealing…

Which writers have influenced your own writing the most?

Agatha Christie is, of course, a huge influence. But I read widely, and some of the biggest influences have been gothic writers like Robert Louis Stevenson and M.R. James; as well as those who play with genre like Susanna Clarke and Akwaeke Emezi.

I run and walk a lot while listening to music, and my second book, Dead As Gold, is potentially a testament to how influenced I am by lyricists like Hozier.

You’re cast in a gritty crime drama. Are you the detective, suspect or the wildcard Witness?

Witness. I’m just too soft and cheerful to be either a detective or a plausible suspect. I’d probably cry during the police interview. I’d also ask for all the lights to be turned on and the cops to stop mumbling. Complete atmosphere-ruiner.

What’s the best book you’ve read recently?

I’ve been spoiled by a whole run of excellent books. I’m currently mid-way through Chris Whitaker’s epic All The Colours of the Dark, and before that devoured Rosanna Pike’s A Little Trickerie. As a writer, I’m privileged to read a lot of work before the general public, and recently got my hands on the beautiful, gothic She Herself is a Haunted House by Georgia Poplett Mason. I can’t wait for other readers to discover her so I have people to talk to!

What inspired you to take the leap and write your first novel — was there a moment that sparked it?

My first novel is actually my third novel! I had two books (one crime, one a ghost story) outright rejected by agents before writing I Died At Fallow Hall, which got me signed by my brilliant agent, Jane. I always said I’d keep writing even if I was the only person to ever read it, because I need to write to process the world. In fact, a lot of Fallow was written on my phone on the train commute between dropping my son at school, and getting to work as a preschool teacher. I was obsessed with the question: what would a country house murder mystery look like if you set it in contemporary Britain?

What’s been the biggest surprise (or challenge) about publishing your debut book?

I’m definitely not the first writer to have felt like an outsider, but with being published I’ve suddenly got to spend time around other bookish outsiders. I still love working by myself, but now I can exchange extremely niche memes with fellow nerds. It’s taken thirty-four years, but I finally feel as though I’m finding my community.

If you could give one piece of advice to someone writing their first crime novel, what would it be?

It’s a cliche, but just keep going. You will get rejected, because literally everyone does at some point. But keep writing, keep honing your craft. After two wholly rejected books, Fallow is nominated for the McDermid Debut Award and my publishers have contracted me for another three novels!

About the Book

Anna Deerin moves to a remote Cotswold cottage to become a gardener, trying to strip away everything she’s spent all her life as a woman striving for, craving the anonymity and privacy her new off-grid life provides.  But when she clears the last vegetable bed and digs up not twigs but bones, the outside world is readmitted.  With it comes Detective Inspector Hitesh Mistry, who has his own reasons for a new start in the village of Upper Magna.  Drawn in spite of herself to this unknown woman from another time, Anna is determined to uncover her identity and gain recognition for her, if not justice.  As threats to Anna and her new life grow closer, she and DI Mistry will find that this murder is inextricably bound up with issues of gender, family, community, race and British identity itself – all as relevant in decades past as they are to Anna today.

About the Author

Born and raised in South Gloucestershire, Bonnie Burke-Patel studied History at Oxford. After working for half a decade in politics and policy, she changed careers and became a preschool teacher, before beginning to write full time. She lives with her husband, son, and needy cat in south east London, and is working on her next crime novel about fairy tales, desire, and the seaside.

About the Awards

Named in recognition of world-famous crime writer, Val McDermid, who co-founded the Theakston Old Peculier Crime Writing Festival in 2003 and whose dedication to fostering new voices in crime fiction through the New Blood panel is legendary, this new Award seeks to continue her legacy, celebrating and platforming the best debut crime writers in the UK.

A shortlist of six titles, selected by an academy of established crime and thriller authors, will be announced on Thursday 5 June 2025, with the winner determined by a judging panel of industry experts, including literary, broadcasting and media figures.

All shortlisted authors will receive a full weekend pass to the Festival and the winner, announced on the opening night of the Festival, will receive a £500 cash prize as well as an engraved oak beer cask, hand-carved by one of Britain’s last coopers from Theakston’s Brewery in Masham.

The winner will be announced at the Theakston Old Peculier Crime Awards and Party on Thursday 17 July 2025.

Discover the Debuts
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