An Interview with Chris Whitaker

We sat down with Chris Whitaker to ask the Theakston Old Peculier Crime Novel of the Year Shortlistee a few of our burning questions. Read on to find out Chris’ favourite authors, his reading recommendations, writing habits … and if he were to go rogue, which crime fiction villain he’d most like to be!

And don’t forget to cast your vote to decide who will take home the UK and Ireland’s most coveted crime fiction writing award.

Tell us your story – when and how did you start writing fiction?

I was mugged and stabbed as a teenager, and though the physical injuries healed, it was the mental trauma I found harder to overcome. PTSD wasn’t a term I was familiar with, and asking for help has never been something I’m comfortable doing. It was after a long struggle that I found my way to a self-help book that looked at the practice of writing as therapy, though it would be another fifteen years until my debut novel was published.

We’ve heard of some unusual writing habits over the years, what would you say is your most interesting writing quirk?

I write using three screens. I find I need all of that space in order to build the scene I’m writing. On the middle screen will be the manuscript, and on the left will be photographs of the scene I’m writing. All The Colours Of The Dark is set in Missouri so I might have photographs of a nature park in Missouri from 1975, and on the right hand screen will be all the details I’ll need to in order to help the reader visualise what I’m seeing. I’ll describe everything from the types of trees and wildflower growing, to the exact shade of leaves and clouds in the sky.

What’s the one line or paragraph you’re most proud of in your shortlisted book?

“You’re all I’ve got,” he said.

And she thought, I’m all you’ll need.

Let’s say you’re going rogue: which crime fiction villain would you most enjoy being (just for research, of course)?

Tom Ripley. I’d like to be able to switch lives for a while. Imagine seeing someone living this idyllic life and simply becoming them. You could experience so much. Having to kill that person is slightly problematic, but still.

Which writers have influenced your own writing the most?

I was working in the city and after a tumultuous time where I’d found myself in, and gotten myself out of, a million pound debt, I knew that I wasn’t happy. It was after reading John Hart’s missing child masterpiece, The Last Child, that I found out he’d quit a successful law career in order to follow his dreams and write a book. The next day I followed his lead, and was broke for a decade. Thank you, John.

You’re cast in a gritty crime drama. Are you the detective, suspect or the wildcard witness?

I’ve been arrested a few times so I’d probably have to be the suspect. I’d be innocent though. Probably.

What book would you always recommend to someone who “doesn’t usually read crime”?

I think sometimes people shy away from crime because they believe character and writing are sacrificed for plot, so I’d steer them towards Dennis Lehane, Attica Locke, Cormac McCarthy.

What’s the best book you’ve read recently?

A Prayer for Owen Meany by John Irving.

 

About the Book

There is a moment when childhood ends.  For Joseph ‘Patch’ Macauley and Saint Brown, it comes late one summer as Patch is abducted from their hometown. Devastated, Saint devotes her days to finding her best friend.  Held in total darkness, Patch is hopeless and alone – until he feels a hand in his. Though he never sees the girl, they fall in love. When he escapes, he’s left with only her voice and name – and promises to spend the rest of his life searching for her.  As Saint’s heart breaks for the boy she lost – and the man he becomes – she will shadow his journey, to uncover the truth behind who took him.  Over a lifetime driven by obsession, Patch and Saint must sacrifice everything for redemption, justice, and, ultimately, love – even if that means losing each other forever…

About the Author

Chris Whitaker is the award-winning author of Tall Oaks, All the Wicked Girls, We Begin at the End, and The Forevers (YA).  His debut Tall Oaks won the CWA John Creasey New Blood Dagger Award.  An instant New York Times and international bestseller, We Begin at the End was a Waterstones Thriller of the Month, a Barnes & Noble Book Club Pick and a Good Morning America Buzz Pick. The novel won the CWA Gold Dagger Award, the Theakston Crime Novel of the Year, the Ned Kelly International Award, and numerous awards around the world.  We Begin At The End has been translated into twenty-nine languages, with screen rights going to Disney, where ‘Hamilton’ director Thomas Kail and producing partner Jennifer Todd will develop the book for television.  Chris lives in the UK.

About the Awards

The most prestigious award in crime fiction, the Theakston Old Peculier Crime Novel of The Year marks its 21st year in 2025.

The award celebrates excellence, originality, and the very best in crime fiction from UK and Irish authors. A highlight in the literary calendar, past winners include Denise Mina, Lee Child, Val McDermid and 2024’s winner Jo Callaghan.

Awarded annually as part of Harrogate International Festivals’ Theakston Old Peculier Crime Writing Festival, the winner of the most wanted accolade in crime fiction receives a cheque for £3000, and an engraved oak beer cask, hand-carved by one of Britain’s last coopers from Theakstons Brewery.

The winner will be announced at the Theakston Old Peculier Crime Awards and Party on Thursday 17 July 2025.

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